Thru My Photos

UAE flag on one of the mountains in Ras Al Khiemah

The United Arab Emirates (UAE) (Arabic: دولة الإمارات العربية المتحدة‎, transliteration: Dawlat al-Imārāt al-‘Arabīyah al-Muttaḥidah) is a federation of seven emirates situated in the southeast of the Arabian Peninsula in Southwest Asia on the Persian Gulf, bordering Oman and Saudi Arabia. The seven states, termed emirates, are Abu Dhabi, Dubai, Sharjah, Ajman, Umm al-Quwain, Ras al-Khaimah and Fujairah .

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Photographs of fireworks are spectacular, colorful, and fairly easy to do once you know the tricks. For best results, you will need: an SLR camera, tripod, cable release, a long lens, and plenty of patience.

Since you don’t know exactly when the fireworks will explode, and you are aiming to capture their trails, you will need to hold the camera shutter open for 2-30 seconds. Compact cameras don’t usually offer this long exposure feature so you will probably need an SLR camera with a manual exposure mode often called ‘Bulb’ (often marked ‘B’).

To get sharp images, you must keep the camera perfectly still. Propping your camera on a wall, car-top or table may suffice, but nothing beats a good, solid tripod. You’ll also need a cable release to activate the shutter without touching and moving the camera.

Waterfront settings are good as you can include the reflections of the fireworks in your shot. Cityscapes, landmarks, or people add context to the shot, but remember that they’ll come out as silhouettes, so don’t include faces or other details. High viewpoints, upwind from the smoke, are usually best. Get there early to secure your spot and select a lens (usually a telephoto) that will fill the frame with trails. Use the first burst to focus the lens (don’t rely on your ‘infinity’ setting).

To photograph the fireworks, open the shutter, wait for some bursts, then close the shutter. That’s it! Take lots of photos (which you can edit later) to get a few good shots. Try different apertures (f8 is the safest) and different zoom settings. Include only a few bursts to fill up the frame; too many will look messy. To reduce the effect of street lighting, cover the lens between bursts with your hand, a black card, or a black cap.

Looking for a truly spectacular shot? You can double-expose your film to include the full moon with the fireworks. (Only a few cameras provide a “multiple-exposure” mode).

One of the challenges of shooting in the middle of summer on a beach is that it can be incredibly bright and your camera could want to under expose your shots if you’re shooting in Auto mode. If your camera has a manual mode it can be well worth playing with it at the beach and experimenting with different levels of exposure. I find that I get the best results when I look at what the camera wants to expose the shot at and then over expose it by a stop or two. Of course this depends greatly from situation to situation - brightly lit landscapes are generally very tricky - especially if you have shady areas as well as bright ones. Sometimes it’s a matter of working out which area you want to be well exposed and focussing on that area as to get everything right is often impossible.

“How much of human life is lost in waiting.”

Ralph Waldo Emerson

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      “Our senses are indeed our doors and windows on this world, in a very real sense the key to the unlocking of meaning and the wellspring of creativity.”

Jean Houston

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If you’re photographing people at the beach as a portrait and it’s bright you’ll find that they will almost always have shadows on their face (often cast by hats, glasses, noses etc). Switch on your flash and force it to fire when shooting in these situations and you’ll find the shadows eliminated and your actual subject is well exposed. This is particularly important when shooting into the sun when without a flash you could end up with your subject being at some stage of becoming a silhouette). If your camera gives you some level of control over how strong a flash to fire you might want to experiment with this also as firing a full strength can leave your subjects looking washed out and artificial. If your subjects do look overexposed and you cant decrease the flash strength try moving back a little from your subject and using your zoom to get a tighter framing as this will decrease the impact of the flash. As usual - experimenting is the key.

old arabian door

“Kind words will unlock an iron door”

Turkish Proverb

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One technique that I’ve been using a lot lately in beach photography (and other genres also) is to do a little post photo production and see what impact stripping a photo of color has upon it. There’s something about a black and white shot at the beach that completely changes the mood and feel of a shot. It’s also a great way to bring to life beach shots taken on dull or overcast days which can often leave a beach scene looking a little colorless.